Qompendium is an evolving and ever-changing platform for philosophy, art, culture and science, represented by a series of print publications: magazines, books and monographs. Furthermore, it is enriched by a gallery concept, a work shop and a fast-moving online portal.
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Live type, data-awareness, animation and user interaction are just a few of the reasons why the web browser has become a satisfying place to generate graphic design — both experienced in and outside the browser. This collection of formal experiments and conversations explore the role of the browser as another possible tool for designers. The website and print-on-demand pocket-sized book are made from the same content, the book treated as one size within a multi-width design logic. The book prioritizes reading and documentation, the website is easy to access and friendly on all devices (until it breaks).
Interviews and projects by: Evan Brooks, Lukas WinklerPrins, Philippe Cao, Catherine Schmidt, Christina Rees, Christina Webb, Kelly Walters, Michael McDermott, Ojus Doshi, Daniel Giuditta, John Caserta
Read and discover more here.
Claude Frédéric Bastiat, 30 June 1801 – 24 December 1850, was a French classical liberal theorist, political economist, and member of the French assembly. He was notable for developing the important economic concept of opportunity cost, and for penning the influential Parable of the Broken Window. His ideas have gone on to provide a foundational basis for libertarian and the Austrian schools of thought.
Nautilus brings together Richard Hunter, Jack Williams, LaRae Bakerink, Bikram Rana and John Sheehan all exceptional intelligent individuals who have scored above the 98th percentile on a IQ test to discuss about the difference between a genius to that of a smart person.
Read full article here.
Mice that receive a human version of a speech and language gene display accelerated learning, according to a new study. Don't expect these findings to lead to a rush of smarter, "uplifted" animals—though they might just reveal something new and fascinating about the evolution of human speech and language.
Read full article here.
It is an infinite pleasure to have our Q&A answered by the ingenious Mr. Axel Hoedt – a citizen of Freiburg im Breisgau as being born there in 1966. He studied photo design at the University of Applied Sciences Bielefeld and since 1999 he made the decision to live and work in London. Needless to say that he has been awarded a multitude of top notch awards in the field of photography. His work is meticulously choreographed yet the viewer would not be able to grasp the setting at first sight; there is always a thin line between a portrait and a documentary, between art and reality, between the surreal and the fiction.
Read entire Q&A here.
1. The goal of a fanzine shouldn’t be commercial.
2. Have your own ideas.
3. Get an excellent team.
4. Produce a first issue without compromises.
5. Promote the first issue.
6. Gain credibility within your target group.
7. Produce a second issue.
8. Again: own ideas – no compromises – promote it – gain more credibility.
9. Develop your distribution network.
10. Become a reference in your field, but stay humble.
By Mike Koedinger, Publisher at Maison Moderne
Philosophically, Nietzsche is a mystic and an irrationalist. His metaphysics consists of a somewhat “Byronic” and mystically “malevolent” universe; his epistemology subordinates reason to “will,” or feeling or instinct or blood or innate virtues of character.
Introduction to the Fountainhead
The Objectivist, March 1968, 6.
The Byronic hero is a variant of the Romantic hero as a type of character, named after the English Romantic poet Lord Byron.
Both Byron's life and writings have been considered in different ways to exemplify the type. The Byronic hero first appears in Byron's semi-autobiographical epic narrative poem Childe Harold's Pilgrimage (1812–1818), and was described by the historian and critic Lord Macaulay as "a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection".
Collector’s Edition is an original and exciting visual survey which brings together 180 examples of innovative graphic and product design created for special collector’s, limited or deluxe editions. From limited-edition magazines with multiple cover options to lavish vinyl box sets supplied with a wealth of extras, Collector’s Edition is the first publication to showcase the new wave of lovingly produced objects being created for the music, book and magazine industries.
25 x 19,5 cm
480 color photography
PLC foil blocking
We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.
Ashutosh Jogalekar is a chemist interested in the history and philosophy of science. He considers science to be a seamless and all-encompassing part of the human experience.
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was an essayist, publisher, playwright, literary and social critic and one of the twentieth century's major poets. He was born in St. Louis, Missouri to an old Yankee family. However he emigrated to England in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39.
Eliot attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930) and Four Quartets (1945).
He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948, for his outstanding, pioneer contribution to present-day poetry.
John Bannister Goodenough (born of U. S. parents in Jena, Germany, 25 July 1922) is an American professor and prominent solid-state physicist. He is currently a professor of mechanical engineering and materials science at the University of Texas at Austin. He is widely credited for the identification and development of the Li-ion rechargeable battery as well as for developing the Goodenough-Kanamori rules for determining the sign of the magnetic superexchange in materials.
A work that edifies and entertains in equal measure. Principe's book clarifies alchemical history and practice while acknowledging the powerful imaginative legacy of this cohort of mysterious robed men tending fires beneath strangely shaped apparatuses in an ever-elusive path to create gold. Principe supplies a smart, passionate, and compelling portrait that draws on a wide range of sources.
— Richard Byrne
Modern life takes place in systems –in social systems, economic systems, value systems, communication systems, judicial systems, systems of thought, health systems, training systems, transport systems, scientific systems, systems of living, educational systems, production systems, and many more.
Contributing artists: Vito Acconci, Josef Albers, Christian Boltanski, Hanne Darboven, Thomas Demand, Andrea Fraser, Katharina Fritsch, On Kawara, Sol LeWitt, Bruce Nauman, Henrik Olesen, Falke Pisano, Martha Rosler, Jan J. Schoonhoven, Andreas Slominski, Simon Starling, Octavian Trauttmansdorff, and Heimo Zobernig
One Million Years - System und Symptom
Exhibition at the Museum für Gegenwartskunst
October 11, 2014, to April 6, 2015
Curator: Søren Grammel
designjunction has firmly established itself as the leading destination for contemporary interior design and culture, held annually during the London Design Festival and Salone del Mobile, Milan. Known for its uncompromising selection of leading global brands, designjunction is at the forefront of delivering cutting-edge design within an expertly curated space. In 2013, designjunction featured more than 150 world-class international
brands set against the industrial backdrop of a 1960’s Sorting Office in the heart of central London.
The five day exhibition attracted more than 21,000 visitors through the door, expanding to seven times the size of its original format in 2011. In April 2014 designjunction launched the fourth edition of EDIT by designjunction, Milan, a curated offering of the flagship London show. Transforming a historic 18th century building in the heart of Milan’s fashion district, the show attracted over 10,000 visitors over five days.
Qompendium is giving away entry tickets to the 4th designjunction. First come first serve. Hurry. Deadline: 15th September 2014
How to participate?
Send us an email: mail(at)qompendium(dot)com
A blend of the traditional and the modern characterized life and dress during Japan’s Meiji (1868–1912), Taishō (1912–1926) and Shōwa (1926–1989) periods. During the early 20th century, a majority of Japanese women continued to wear traditional kimono. But, as demonstrated in the exhibition, the kimono evolved to reflect the introduction of vibrant synthetic colors, new modes of textile production, and bold abstract and figurative design motifs, often inspired by Western art movements and important current events, such as space exploration.
Kimono for a Modern Age features more than thirty captivating examples from LACMA’s permanent collection exhibited for the first time.
The Pavilion for Japanese Art
July 5, 2014 to October 19, 2014
June 27–October 12, 2014
Thursday, June 26, 11am
Bruno Munari (October 24, 1907, Milan – September 30, 1998, Milan) was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art, and in non visual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning, and creativity.
Two new Banksy works purchased during his 2013 ‘residency’ in New York – for just apiece – will feature in Bonhams next sale of Contemporary Art on July 2nd in London for a price which reflects their true value.
Hassan Rahim, born 1987 in Los Angeles, is a mixed media artist and art director living in Philadelphia. Distillations is Rahim's second solo exhibition at HVW8 Art + Design Gallery; Rahim has previously exhibited in Milan and Amsterdam.
See exhibitions images here.
Qompendium has been awing Hassan Rahim, Jack-of-all-trades, for quite a while and now more than enthusiastic about Rahim’s latest minimalist “anti-collage” work which is an exhibition about the 90s West Coast nostalgia and Los Angeles street culture revisited by the Internet hiphop ephemera anticipants of today.
Hassan Rahim was born in L.A. but is currently living in Philidelphia. He is an art director, designer, and publisher. Besides Los Angeles, he has exhibited in Milan and Amsterdam.
Distillations is a refusal. Collage overlays images to connect disparate contexts and temporal zones. People and objects are layered, decontextualized, cut, and pasted into oblivion. At some point, a lack of restraint only leaves heaps of forced narratives, absurdity, and theoretical hash.
Hassan Rahim, Distillations
May 29th – June 22nd, 2014
HVW8 Art & Design Gallery
Re:Collection is a personal and thoughtful project by the design bureau Hofstede, Australia.
Here is what Dominic Hofsede the designer of the project thinks about it: "Re:collection is an online inventory of Australian graphic design, focussed primarily on the period between 1960–1980. Launched in 2009, the site was never intended to be comprehensive, representative or exhaustive. The selection of content is purely subjective; fundamentally it relates to work and individuals I find inspiring, intriguing or influential.
The project was borne out of frustration at the lack of Australian graphic design reference material available, specifically from the decades mentioned above. There is a paucity of books on the subject, a quandary noted by esteemed design commentator Rick Poynor in his excellent article ‘Look inward: graphic design in Australia’ (Eye Magazine 46, 2001). Poynor attributes the deficiency to ‘a tendency for Australian design to underplay itself,’ a modesty that would be understandable if there was, in fact, nothing worthy of acknowledgment. It is my hope and aim that visitors to this site will appreciate that this is not the case."
Everything in the universe, and everything of man, would be registered at a distance as it was produced. In this way a moving image of the world will be established, a true mirror of his memory. From a distance, everyone will be able to read text, enlarged and limited to the desired subject, projected on an individual screen. In this way, everyone from his armchair will be able to contemplate creation in its entirety or in certain of its parts.
Trevor Jackson has been working at the forefront of audio and visual culture for over 20 years. The London based Art Director, Designer, Moving-Image maker and Producer’s work has been exhibited at the ICA, BALTIC, GUGGENHEIM and BARBICAN, as well as on countless, seminal record covers. With its emphasis on visual as much as musical artistry and innovation, Jackson’s iconic OUTPUT RECORDINGS label set a new aesthetic standard that prompted critics to declare it this decade’s equivalent to Factory.
Jackon has just updated his website.
Read full article here.
How do Dubai, Istanbul, or Hong Kong differ from the “traditional” hubs of London and New York? How can artistic activity and its economic corollaries be encouraged?
Art Dubai director Savita Apte, art critic Louisa Buck, artist Michael Craig-Martin, and Hayward Gallery director Ralph Rugoff discussed the “ingredients” necessary to turn a city into a global art center—one which nurtures and serves a homegrown scene as well as attracting the nomad flock of contemporary art professional aficionados.
Read full article here.
Alberto Baraya’s staunchly critical body of work examines the way that nature has been historically represented. His art exposes the subjective, destructive, and oppressive realities of the European expeditions of the 17th, 18th, and 19th centuries that purported to scientifically collect and quantify the indigenous plants and peoples of the Americas. Appropriating the processes of these colonial missions, Baraya ventures into the wild terrains of outhouses, doctors’ offices, and other unlikely public and private venues to generate a personal agglomeration of scavenged plastic (and otherwise fake) plants. He then documents and displays them according to his set of artistic criteria, creating a parallel yet distinctly fictional taxonomy of flora. He was selected to represent Columbia at the 2009 Venice Biennale and has exhibited internationally at a number of renowned institutions.
Beau Dick (born November 23, 1955) is a Canadian Northwest Coast Native artist of Kwakwaka'wakw descent, and is noted as one of the Northwest Coast's most multifaceted, talented carvers. From a young age he was heavily influenced by the traditional carving work of both his grandfather and father, with whom he assisted in carving one of the world’s tallest totem poles in Alert Bay, BC.
Now, after more than three decades of carving, Beau Dick continues to explore realms beyond that of his own Kwakwaka'wakw culture, mastering the styles of other tribal traditions. Another one of the distinguishing characteristics of his work is the embracing of contemporary, European & Asian influences. In the last decade, his work has been featured in a number of international exhibitions, helping introduce his pieces to a more contemporary audience. Beau's work was featured alongside that of artist Neil Campbell in the 2004 exhibition "Supernatural - Beau Dick and Neil Campbell" at the Contemporary Art Gallery in Vancouver, followed by the 2005 "Totems to Turquoise" exhibit in both New York and Vancouver. In 2009, the McMichael Canadian Art Collection showcased Beau's work in their exhibit entitled "Challenging Traditions: Contemporary First Nations Art of the Northwest Coast".
Most recently, the story of Beau’s life and art is being developed into a feature-length documentary entitled Meet Beau Dick: Maker of Monsters to be tentatively released in 2014. He is currently the Artist-in-Residence at the University of British Columbia for 2013 – 2014.
Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash.
Creative head of Deutsche & Japaner, design studio in Mannheim (Germany), Moritz Firchow brings yet another breathtaking venture into car photography alongside Amos Fricke. Can the BMWi8 be any sleeker? No.
In "The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists", the MMK will serve as a stage for Dante’s Divine Commedy on 4,500 square metres of exhibition space. In this early fourteenth-century epic, which combines central notions of Christianity with religious concepts of antiquity, the Italian poet Dante Alighieri (1265–1321) explores theological, philosophical and moral issues which have lost nothing of their social and political topicality to this day. His work forms the foundation for the exhibition developed by curator Simon Njami in cooperation with the MMK and to be presented subsequently at four further venues worldwide.
On three floors, one each devoted to heaven, hell and purgatory, works in a variety of media will be presented: paintings, photographs, sculptures, videos, installations and performances. A large number of the works will be conceived specifically for the MMK interior and premiered by the show. Taking their own widely differing cultural and religious backgrounds as a point of departure, the artists will examine individual thematic sequences of the Divine Comedy. In some cases the otherworldly realms will be visualized as godless places brought to life by the power of imagination; in other works they will be associated with ideas of divinity, hope or loss.
Against the background of the many Africa-related exhibitions of the past years, the MMK perceives the need to investigate the significance of African art not only in the post-colonial context but also with regard to aesthetics. The exhibition will accordingly not be limited to historical or political depictions; on the contrary, it will set its sights on poetry and art as expresive means of conveying and communicating the unspoken. The exhibition concept transports the universal issues of the Divine Comedy, an incunable of European literature, into the present and places them in a transnational contemporary context.