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Persian architecture is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BCE with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan, and from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses and garden, pavilions to "some of the most majestic structures the world has ever seen“, according to Arthur Upham Pope of the Oxford University Press.
In addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital, Tehran has brought about a wave of demolition and new construction.
Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience. Without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it has achieved "an individuality distinct from that of other Muslim countries".
Its paramount virtues are: "a marked feeling for form and scale; structural inventiveness, especially in vault and dome construction; a genius for decoration with a freedom and success not rivaled in any other architecture".
Traditionally, the guiding formative motif of Iranian architecture has been its cosmic symbolism "by which man is brought into communication and participation with the powers of heaven". This theme has not only given unity and continuity to the architecture of Persia, but has been a primary source of its emotional character as well.
According to Persian historian and archaeologist Arthur Pope, the supreme Iranian art, in the proper meaning of the word, has always been its architecture. The supremacy of architecture applies to both pre-and post-Islamic periods.
DOM publishers have published a new book on Architecture in Iran, bringing together meticulous information on single cities and sites.
135 × 245 mm, 480 pages
1000 Images and Illustrations, Softcover
ISBN 978-3-86922-392-6 (German)
EUR 48,00 /CHF 58,60
Published in May 2016