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A finely tuned balance of restraint and intimacy, Shadow Cast is a curated photography book of LGBTQ+ art, destined for discerning collectors.
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When craftsmanship meets artistry, the result is something special. Such is the case with the latest collaboration between VINEYARD DASSEMUS and Another Something for the evocative collective “TOGETHER&.” The partnership celebrates the union of biodynamic winemaking and thoughtful design, creating a wine that is as much a visual delight as it is a sensory pleasure. Vineyard Dassemus, celebrated for its commitment to sustainable viticulture, has always embodied the ethos of working in harmony with nature. For this limited-edition release, they partnered with Another Something to create a wine experience tailored for its discerning audience. The result? A bottle that reflects not just the terroir but also the creative spirit of collaboration. Adding an artistic flourish, illustrator ANDREAS SAMUELSSON was invited to design the label, bringing a distinct aesthetic to the bottle. Andreas’s work transforms the wine into more than a beverage — it becomes a collectible object, marrying organic craftsmanship with contemporary design. Reserved for a select audience — whom I (Kimberly Lloyd) am proud to be part of — this partnership underscores the importance of community, creativity, and sustainability. With every sip, it feels like you’re not just tasting a fine wine but also engaging in a shared narrative of purpose and artistry. A toast to “Together&” — where the worlds of wine and design converge beautifully.
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Raus is situated in a wildflower meadow surrounded by enclosed pastures, in a clearing amongst towering evergreen trees, and on the cusp of the idyllic WEHRMUEHLE art garden, overlooking the manor on one side and a babbling brook on the other. Located one-to-two hours outside of Berlin, a small symbol tells you how far removed from civilization your Raus cabin in the woods is, and whether you’ll be in touch with humankind or only the sheep during your stay. Measuring no more than 18 sqm, these tiny cabins were designed by Berlin-based hospitality tech start-up Raus with the intent to establish a connection between modern indoors and the rugged outdoors. The high ceilings and panoramic large-scale windows that frame the surrounding view juxtapose the quiet minimal interior, and allow you to enjoy Mother Nature with all of your necessary creature comforts within close proximity. Cabin model I is their most prevalent design, which boasts birchwood interiors and a sizable geometric window thoughtfully placed next to the bed. While cabin model II is the result of a collaboration with Danish designer and architect SIGURD LARSEN, which offers moody all-black interiors and a sneaky overhead skylight in the shower. Though the intent of these cabins is to make the transition to nature as convenient as possible for city dwellers, one can’t help but question the inclusion of wi-fi as a likely ball and chain that might keep you from sauntering through the whimsical pastures. Nonetheless, strolling under fruit trees and dwelling in the shade of a canopy of leaves only sixty minutes from Berlin is an opportunity one should not think twice before accepting.
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“There is nothing more intoxicating than victory, and nothing more dangerous.”
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BOMBAZE
In the labyrinth of human experience, we often find ourselves entangled in the intricate webs of deception. Bamboozled, tomfooled, and hoodwinked – three siblings born from the womb of deceit, each bearing its own unique guise of manipulation. Bamboozled” originates from the early 18th century, believed to have derived from the Scottish word “bombaze,” meaning to confuse or perplex. It implies being tricked or deceived through cunning or misleading tactics, leaving one bewildered and disoriented in the wake of deceit. “Tomfooled”, while less common than the other two, shares a similar theme of deception but adds a whimsical twist. Its etymology is less clear, but it likely stems from a blend of “tomfool”, meaning a foolish person or a jester, and “fooled,” indicating the act of being deceived. Together, “tomfooled” suggests falling victim to playful or absurd trickery, where reality bends and twists in unexpected ways, often leaving one amused despite being misled. “Hoodwinked”, on the other hand, has its roots in the Middle English word “hodwink”, meaning to blindfold or cover the eyes. It conveys a sense of deliberate deception or trickery, often involving the manipulation of trust or the concealment of truth. To be hoodwinked is to be duped or swindled, typically through a deliberate and calculated scheme. In essence, while all three words describe experiences of being deceived, “bamboozled” emphasizes confusion and disorientation, “tomfooled” adds a touch of whimsy and absurdity, and “hoodwinked” conveys a sense of deliberate deceit and betrayal.
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GONGOOZLE
Gongoozle, a word as peculiar as its meaning, finds its roots in the canal culture of England, originating from the British waterways. Initially used to describe the act of idly observing canal activity, it has since transcended its humble origins to embody a sense of leisurely fascination with any passing spectacle. In literature, it has appeared as a charming oddity, reflecting a penchant for the quaint and obscure. In contemporary parlance, “gongoozle” has found renewed relevance, symbolizing a whimsical curiosity towards the mundane and the extraordinary alike. From canal-side lounging to digital window-shopping, gongoozling knows no bounds. So let us gongoozle, with hearts aglow, as life’s rich tapestry continues to flow.
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In January 2013 Philipp Bree introduced his first collection of bags and accessories in both Berlin and Paris. Bree’s philosophy centers on creating beloved objects that nurture individuality through daily use. His profound fondness for cherished possessions is reflected in his blog devoted to showcasing a curation of such items from friends and family.
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Dries Van Noten’s show “The Woman Who Dares to Cut Her Own Fringe” encapsulates boldness and a purposeful fusion of various rich spectrum of colors, textures, and unexpected combinations that took center stage, highlighting a spirit of spontaneity and creative expression. Models confidently flaunted zip-up hoodies with one sleeve off and button-down shirts worn in reverse, illustrating Van Noten’s knack for blending unconventional elements in a quirky yet intentional manner. Despite the unconventional pairings, each garment exuded individuality and stood out on its own merit. Van Noten’s uniqueness stems from his steadfast dedication to challenging conventions and embracing individuality, empowering individuals to embrace their distinct style with assurance and liberation.
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Matthew M. Williams’s second runway collection for Givenchy showcased a newfound straightforwardness rooted in what people are really interested in wearing. The almost monochromatic – save for splashes of purple, blue and yellow – streetwear-focused collection saw a slew of looks that presented layered varsity-meets-heavy-metal-band T-shirts, thigh-high leather boots and zippered cargo pocket vests finished with futuristic faux facial piercings and brimmed-balaclavas. “I really wanted to create a synthesis of powerful, sophisticated femininity, with an interplay of multiple American and Parisian influences, sports and craftsmanship… On the runway, both are grounded by a sense of reality,” the designer explained in the show’s notes.
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From ivory to celluloid, the earliest combs ever discovered to prized representations of art and craftsmanship, Qompendium takes a look back at the rise and fall of the comb.
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Efi Sandwich Box
If you are a collector of Germany products this little red sandwich box will be your great find. It is a product by the company Efi which does not exist anymore.
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O Frivol ist mir!
A compilation of 20 chansons recorded by label Sonocord, a West German 1984 production. Photography by Delta, cover design by Klaus Dempel. The vinyl is in good condition. An absolute eye-catcher for your exquiste longplay collection or your bedroom.
